Writing your success script - Tip #4

Tip #4: Writing your success script – What do they REALLY mean? The importance of subtext in sales and service situations

Don Corleone: I'm gonna make him an offer he won't refuse. Okay? I want you to leave it all to me. Go on, go back to the party. (The Godfather, 1972)

Ask yourself: how many times each day you are selling something to someone? An idea, an initiative, a message, a product, a service?
In such a situation – would you admit that most of the time you were concentrated on what you had said and not of your customer's response?
And if you were concentrated listening to what your customer says - do you feel that you really understood what he was trying to convey to you in his words?

This "transmission" I talk about is transmitted in two channels simultaneously: The open channel (the text itself) and the hidden channel (non-verbal – the speaker's real intention). This hidden channel is called "subtext" in the cinematic jargon. Sometimes, there is a full similarity between the text and the subtext, but the real challenging situations are those which suggest a clear dissonance between these two.
Subtext, or the ability to "read between the lines", has a crucial role in communication between the seller and the customer during the sales' process or service's process. The success of both parties in this process (which brings to close a deal) is related to, among other things, the mutual ability to read the mutual subtext and its correct interpretation.

The world of subtext is a non-verbal world. It is communicated by facial movements, gestures, intonation. In a film script the subtext has a very important role in the characterization process and in building a dramatic conflict between the characters. This visual medium allows the actor to express the same sentence on two levels simultaneously - verbally, as written in the text, and in a non-verbal manner as subtext.
For example, the phrase "I love you." I want to introduce an alternative to direct this scene: the girl says this sentence while lowering her gaze, lowering her voice, holding her head, blushing and tearful – we as the audience experience her great excitement (situation shown in the case where the love of the couple is in danger or in a situation where the girl finally decides to reveal to her friend her hidden love.)
Second alternative can be: A girl says “I love you” as she stands motionless, her hands pressed tightly to her body, she is very pale, looking terrified and frightened. We as spectators feel that she is in great danger, she is very afraid of the character whom she told this sentence (her lover?) or afraid of some other people that are listening to them.
Note that as spectators we experience enormous difference, while listening to the exact same sentence. The screen writer will write subtext in the script to assure that the right message will pass to us, the spectators, most effectively.

Now let’s go back to the world of sales and service and find out how we can use subtext during sales training using the following case study:

Case Study
Sales or service phone call provides a particularly interesting challenge in understanding the subject of subtext. In such a type of communication with the client the visual sense becomes irrelevant, and thus one cannot interpret the subtext through mime or gestures.
In one of the call centers we trained sales and service representatives in "reading" subtext during the first 30 seconds of the dialogue. Along with the representatives we’ve classified three typical figures of clients: childish, adult and authoritative. All figures underwent a characterization of their features and repeated patterns of behavior.


After this phase, participants wrote conversation's scripts with each of the characters, when the emphasis was on three stages of the conversation: conversation opening, the dramatic turning point and the decision as a result of that turning point.

The practice aims to develop and train the participants' senses to identify the customer's subtext by his way of phrasing things, his tone, his breath and background noise, in order to avoid emergence of extreme conflicts during the dialogue - screams, tantrums, phone slams, threats, getting angry.

Participants wrote different scripts based on dialogues with these three types of customers. These scenarios demonstrated the suitable working methods resulting of the right identification of subtext. Then, once staged, filmed and edited, these scenarios have become internal corporate training videos.

The result - increased quality of service (the talks were shortened, the tone has become more service like, there weren't significant customer complaints), the high sales results were following and the motivation of service and sales representatives improved very significantly.



Want to know more about this positive change? Read more about Sales training videos and Service training videos.
I would love to hear your opinions, learn from your experience and share knowledge.

Question For You: In cases of multi-cultural corporate communication training – how can we implement subtext technique?

Sincerely,
Yulia Reinshmidt
Co-CEO, Content & Production Manager
yulia@casteffect.com
CastEffect

Our next post will be tip #5 - writing a screenplay about the meaning of service values – "service beyond imagination"